In this final installment as your tour guide of beloved Mull, there’s one thing that I cannot overlook from our visit to Mull and really all of Scotland: Gorse!
Ulex (commonly known as gorse, furze or whin) is a genus of flowering plants in the family Fabaceae. The genus comprises about 20 species of thorny evergreen shrubs in the subfamily Faboideae of the pea family Fabaceae. The species are native to parts of western Europe and northwest Africa, with the majority of species in Iberia.
The first thing that you do notice about gorse is the intense yellow flowers, which are in bloom nearly year-round. When lit by sunlight, these bushes create beautiful patches of yellow across the landscape, which can stand out against a blue sky (yes, we found plenty of blue skies in Scotland)
Gorse is closely related to the brooms (Scottish Broom is a very hard plant, that we have in our backyard in New England), and like them, has green stems and very small leaves and is adapted to dry growing conditions. However it differs in its extreme thorniness, the shoots being modified into branched thorns 1–4 centimetres (0.4–1.6 in) long, which almost wholly replace the leaves as the plant’s functioning photosynthetic organs. The leaves of young plants are trifoliate, but in mature plants they are reduced to scales or small spines. All the species have yellow flowers, generally showy, some with a very long flowering season.
In this image you get a good view of the thorns, which you do not want to try to walk through without some adequate protection. The gorse in Scotland can grow rather large, as I saw bushes well above 2 meters in height.
A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
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3 thoughts on “Isle of Mull – pt. 5”
As children we used to have dens hidden in the gorse. Great place for rabbits.
Great hiding places! I bet you may have run into Peter Rabbit as well!