Kryptomorphaics #9 – Transitions

The soul guides us…

 

IMG_8069
Transitions

Image Description

This image, ‘Transitions‘, is one of the more complex of my Kryptomorphaics compositions in that it incorporates both a modicum of zoom blur and a large amount of rotation.

The recognition of this composition came to me during a nighttime photo-walk with a group of fellow photographers.  While many were taking long exposure shots, I was on the prowl for something a little different: looking for what lies hidden under the surface and how I could bring this out.  When I came upon a pair of white columns with a couple of spotlights on them, I knew that I had found my subject.  Looking upon them, I noticed how they framed the traffic turning behind them, which helped me decide on the shot, as I set up my tripod.

What truly inspired me that night, was an event that occurred across the Atlantic Ocean in the Netherlands: the passing of the aunt, to whom I always felt a close connection.  She had been suffering through the ravages of lung cancer, and I knew that my visit with her about a month earlier was the last time that I would see her.  She and I always had a strong bond, and it was no different on this night.  As I felt a strong pull, I captured this photograph in one take, and knew something significant had happened; a message from her sister the next morning confirmed what I had sensed: her transition to another plane of existence.

On this long exposure, I was certainly guided by her spirit, and when I saw the result on a bigger screen that night, I knew that we had created something special.

Technical Details

This image was captured with a Canon EOS 5D Mk II and 17-40mm f/4L lens at 100 ISO, f/20 at a 30 second shutter speed.  The camera was rotated along its axis very slowly to get the smearing of the columns and create the window.  A slight bit of zoom blur during this rotation created the depth.

Author: jansenphoto

A Fresh Perspective Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment. Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael. My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals. Universal Connections My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation. This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections. Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client. And, lest we forget, it is important to have fun while practicing the serious business of photography!

4 thoughts on “Kryptomorphaics #9 – Transitions”

  1. Touching lines. I know where you’re coming from. My favorite and most loved Aunt also died of cancer (cervical) in the age of 37. We’re so close and I felt so devastated that time. Great shot!

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