Sometimes on a nice sunny day with an interesting cloud cover, you see a scene in front of you and photograph it. However, in your mind’s eye, you know there’s more to this landscape that you just captured than what you saw on that day.
If this ever happened to you, we have that in common, as it’s occurred numerous times to me. An example is this shot of Nubble Light on Cape Neddick, Maine, back in June of 2013.
This lighthouse has been photographed by many, which had caused me to not ever shoot it until this day; the simple reason was that I hadn’t seen anything different from what I’d seen in all the wonderful photograph created by others of this lighthouse. That day, I felt that there was something a little different, so I got clambered down the rocks to get a lower vantage point and shot several exposure bracketed sequences. Overall, not a bad shot, but nothing especially outstanding.
It really was a nice day, as my mother and sister were visiting us from the Netherlands and we were showing them some of the sights in the area. When we got home that evening, I offloaded the images and took a quick look at them.
Over the next couple of weeks, there were a couple of times that I thought about editing the shots, but every time I started I got stuck, as I didn’t quite ‘feel’ it. Approximately 6 weeks after I took the shot, I finally sat down to create the following end result…
What was different about this editing session? For one, I was in a somewhat darker mood, which allowed me to connect to a heavier cloud cover and the idea of a roiling sea; also, at that point my mind’s view of what the image could hold, had time to articulate itself. The resultant image is one that after almost 10 years, I still enjoy seeing, and I have resisted the temptation to re-edit it to make it ‘better’ (as our skills improve and we learn new software, this temptation is real).
The lesson I learned at that time was to allow myself to recognize when it’s not the right moment and/or mood to edit a certain image, as our creative selves may need some hidden inspiration.
The images were captured using a Canon EOS 5D Mk III and a Canon EF 24-105mm f/4L IS USM lens. Back in 2013 I used Photomatix Pro for my HDR processing.