In this Tuesday Technique Topic, rather than covering a wider range of technical topic, I’d like to do an analysis of a single image. Please let me know, if this is something that you would like to see done on other images.
Ornamental Cabbage
This image is rather simple, isn’t it? At first glance, you see a rather colorful ornamental cabbage. As you look closer, you’ll notice that the cabbage is sharp in its bright purple center, but that the edges are blurring, as we go away from center. This is not something that was added in Photoshop, but, rather, a conscious decision at the time that I photographed this lovely Autumn vegetable.
The sharp center and blurred edges have the effect of allowing the eye to leave the center, but always drawing it back in; this makes the image a bit mesmerizing in, I hope, a good way.
The advantage of most DSLRs is that they have a variety of settings that allow the photographer to control the final result of the image. As the depth of field was the critical aspect, I shot this image in aperture priority, so that I set the aperture to f/5.6, which for a focal length of 105mm produces a rather shallow depth of field; at the distance of just under 5 feet, the focal plane is about an inch on either side of the focus point, providing the effect you see here.
What other questions might you have about this image? If I have any insight into what you may be curious about, I will be happy to share it with you.
Post-processing
My post-processing routine is pretty straightforward, as I am by no means a Photoshop expert. On this image, the layers used were (in order):
Base image
Unsharp mask
Overlay at 41% opacity
Levels to increase the pop of the colors
A slight bit of contrast increase
A little extra saturation
Nothing overly dramatic, as you see.
I hope this is of interest to you. I’d love to hear feedback both positive and negative! Thank you, as always, for reading!!
A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
Universal Connections
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
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LOL I´ve tried so many times… I´ve watched the first steps tutorials but trust me, it´s my photoshop 🙂
Love it, I have SOOO much to learn! Single image analysis is great as it helps to understand the settings behind the single shot . Thank you for sharing.
You’re very welcome. I really appreciate your feedback and will do this again. It’s a bit of fun for me as well, as i get to remember why I made certain choices when creatig an image.
My photoshop can´t do that. I´m 100% sure 😀
LOL…yes, it can and you can too! 🙂
LOL I´ve tried so many times… I´ve watched the first steps tutorials but trust me, it´s my photoshop 🙂
Love it, I have SOOO much to learn! Single image analysis is great as it helps to understand the settings behind the single shot . Thank you for sharing.
You’re very welcome. I really appreciate your feedback and will do this again. It’s a bit of fun for me as well, as i get to remember why I made certain choices when creatig an image.
I love cabbage – and this image is so striking in composition and contrast – thank you for sharing the details!
Thanks! It’s fun to go back and analyze the image to go back through my thought process 🙂
It’s also fun to read =-)
Thank you kindly!!