Warped Wednesday – pt.1

Transmogrification

As promised with the New Year there may be a new series of posts to try out something different and see how you like the idea…  Yes, it’s all up to you to determine whether Warped Wednesday will become a regular feature.

You may be aware that I enjoy the occasional bit of abstract photography among my plethora landscapes and other subjects that catch my mind’s eye.  What I enjoy most about abstract work is the process of discovery: finding something within the view in front of me that I can change, transmogrify in camera.

20140222-process-of-detachment_57a5990
Process of Detachment

This image is a bit more unusual among my abstracts, due to the process that I used.  The Canon 5D MkIII has the capability to do in-camera HDR, where it combines 3 exposures into a single JPEG using High Dynamic Range imaging techniques.  The exposures in this case range from 1/10 second to 1.6 seconds; the fastest exposure was held still and when I got to the 1.6 second exposure, I twisted the barrel of my lens to get a significant amount of zoom blur.  This confused the in-camera HDR processing to such an extent that artifacts were created around the leaves, which caused a sense of the leaves detaching themselves from the background.

Now, I’ll admit that I didn’t know what the final result might be, as this was a bit of an experiment.  Trying out different things and techniques is part of the fun of exploring in photography and many other areas in life; it’s good to stretch the boundaries and keeping those experiments that we like.

I kind of like this experiment… what do you think?  Have you ever tried some different techniques?

Author: jansenphoto

A Fresh Perspective Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment. Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael. My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals. Universal Connections My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation. This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections. Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client. And, lest we forget, it is important to have fun while practicing the serious business of photography!

7 thoughts on “Warped Wednesday – pt.1”

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