There are times in all of our lives, whether professional, personal or creative, that we need to find a new spark of inspiration to drive us to that next level.
I have been looking for a while to find a that source of ignition in my creative endeavors, as my photography was suffering from seeing the world around me in the same way that I have for a long time. One area of photography that has intrigued me for a while is that of Infrared photography, or, more accurately, filtering out a significant part of the visible spectrum.
As there was an upcoming Infrared photography workshop led by Lee Varis and Bobbi Lane (link) rather nearby to me, I took the plunge and had one of my DSLRs converted to a sensor that would filter all light wavelengths shorter than 590nm. As 590nm is in the yellow-orange part of the visible spectrum, the sensor will capture from there to the deep red and infrared bands.
Here is an image that I captured yesterday during this workshop…
The image is an allium flower backlit by the afternoon Sun. I was pleasantly surprised by the effect of a slight bit of lens flare within the body of the flower, as if provides the sense of hot gases escaping from a celestial body.
Part of what I enjoy thus far in IR photography is that what you see through the camera is not the image that you’ll create after processing. The Raw capture by the camera looks like this:
In this unprocessed image you can see the part of the spectrum that was capture. While I’m still learning more about the processing of 590nm IR images, the basic steps I follow are these:
– Convert RAW image to DNG for white balance adjustment
– Select my 590nm white balance profile in Adobe Camera Raw
– In Photoshop swap the Blue and Red channels in the image and make other edits
As I gain more experience with the processing, I will put together a post about it.
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