In this second installment (cf. part 1) of our walk around one of the neighborhoods in Reykjavik, I’d like to share a couple of impressions of the mixture of architecture in the small area that we explored. The area where we wandered around is the Old West Side, Vesturbær.
This section is the earliest area of Reykjavik to be settled, starting around 1800. When walking through the area, one of the things that stands out is that the older structures are slowly being surrounded by newer architecture that rises up around these houses and looms over them.
Hlíðarhús (sign on the structure) were small farms in the Reykjavik area, which stood near the current Vesturbær; Vesturbær used to take its name from them, when it was called Hlíðarhústastigur. This particular house stands surrounded by concrete edifices, and an inspiring mural art work.
The Vesturbær area is definitely upscale, and sought-after in the real estate market. There are several foreign missions sprinkled across the neighborhood, which still has its regular feel as well.
With real estate at a premium, space utilization should be optimized. The people that live here understand how to do that, as a balcony is a good spot to put the bicycle.
The overall layout of Vesturbær is somewhat haphazard, as the turn of the 20th century didn’t include a lot of city planning, as Reykjavik was expanding. It does make for a cozy neighborhood feeling, as houses might be tucked in great spots and you get to know your neighbors!
This more modern-looking house had found a perfect spot in the Vesturbær neighborhood. Even here it is evident that much thought was given to how to best fit in the space afforded.
As we walked up and down streets throughout the area, I couldn’t help but get a sense of the old town charm that exists here.
It’s amazing to think that streets like this one are a mere 5 minutes’ walk away from hyper-modern structures, such as the Harpa Concert Hall and Meeting Space…
A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
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3 thoughts on “A Walk through Reykjavik (part 2)”
These are all wonderful photos of your walk 😀
Thank you kindly, Cee