I’m sure that I’m not unique in the struggle to really define what might constitute my portfolio of photography. Over the years, I have captured tons and tons of images, the subject of which has varied tremendously; it ranges from lots of dog sport images from agility competitions, portraiture and human events, food photography, abstract images and lots of nature images.
As I’m starting to renew my effort to define what my portfolio might be, I’m taking a stab at my nature images first. These have great variation in them as well, as I tend to love landscapes, but also have a mix of animal images, some of which I still enjoy reviewing.
A Pensive Puffin
The image above is one of these. This headshot provides a sense of gravitas to this lovely puffin, as he appears to be considering the next discussion to have with one of his closest friends, many of whom are nearby.
There are still some technical issues with this image, as the pose and sunlight didn’t line up perfectly in the way I would have preferred (these puffins didn’t pay much attention to my requests); so I still see some future editing to improve the overall look, but in the mean time, I still like this little fella.
I’m curious what struggles other photographers have in defining their profile and how they tend to tackle these demons.
A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
Universal Connections
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
View all posts by jansenphoto
I think the image captures the detail and vibrant colour in the puffin’s beak, complemented by soft lighting that highlights the bird’s texture and that sharp, expressive eye.
tiktok.com/@nadeemg4568
Beautiful
I think the image captures the detail and vibrant colour in the puffin’s beak, complemented by soft lighting that highlights the bird’s texture and that sharp, expressive eye.
Thank you kindly! Have a Happy Thanksgiving