The Harpa Concert Hall in Reykjavik features a stunning façade with more than 700 embedded LED strip lights, which create a visual art installation at night.
We’re back at Reykjavik’s Harpa Concert Hall and Convention Centre. There is much more to Harpa’s intriguing facade than the collection of windows of different types of glass. Artist Olafur Eliasson led the facade design and created a massive art installation! In last week’s post we covered the dichroic glass and the interesting colors that this provides. This week we go into the dark side of Harpa!
Here’s an image from the video below…
Harpa at Night
There are more than 700 LED strip lights embedded in the building’s façade, each approximately 1.5 meters (4.6 feet) long. Each fixture is incorporated into a slim aluminum extrusion, specifically designed to match the geometry of its specific quasi-brick glass and mounted to the rear vertical profile of the steelwork. This placement avoids overwhelming people inside the foyer with too much light, while offering the best diffuse and indirect light distribution. The fixtures’ optics are composed of a series of filters, diffusers, and lenses and were developed for the project in collaboration with lighting manufacturer Zumtobel.
Harpa’s Night Art
This video shows a short segment of the windows changing colors. As it was rather windy, I have removed the audio.
A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
Universal Connections
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
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4 thoughts on “Wednesday Window – pt 14”
That’s a wow Frank. What an amazing place. The video was so good, glad you included that as well.
Thanks for joining in Monday Window 😀
That’s a wow Frank. What an amazing place. The video was so good, glad you included that as well.
Thanks for joining in Monday Window 😀
Thanks, Brian! It is a truly stunning piece of art!
Exactly great. Thank you dear Frank, Love, nia
Thank you very kindly, Nia!