In ‘Orchard Tilt’, the viewer is invited to release their mind from the bonds put upon them by the prevailing realities of the dimension, in which they travel, and let it escape to pull them into an alternate dimension, where they are free to explore and discover all that lies just beyond.
In our dreams we may find ourselves flying, as we are given the opportunity to go beyond gravity’s grasp into the sky; this infers a desire for exploration to push beyond the boundaries, within which we live our daily lives. This very desire sets us apart and enables us to envision possibilities, strive for the heavens and achieve what was once described in fiction only.
Another aspect of ‘Orchard Tilt’ is that it provides a depiction of where the mind can go, when it moves beyond the limits of the body. This is much like the experience one may have during meditation.
Technical Details
This image was captured at 100 ISO, F/22 at 0.16 second shutter speed. A fairly rapid zoom twist was employed to get the radial blur.
A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
Universal Connections
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
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One thought on “Kryptomorphaics #2 – Orchard Tilt”
Eloquently stated….! I can certainly identify with your thoughts….and share your enthusiasm for exploring alternate dimensions…!!! Very cool image.
Eloquently stated….! I can certainly identify with your thoughts….and share your enthusiasm for exploring alternate dimensions…!!! Very cool image.