Kryptomorphaics #5 – Pyroplasm 3x

Starbirth in the Universal Fires
Pyroplasm 3x

Image Description

‘Pyroplasm 3x’ is one of the images that sprang from the first series of abstract images that I created within my camera.  Sitting around a campfire with a group of fellow photographers, I mused over photographing the fire in front of me; looking to capture more of the content that lies within the fire rather than a purely pictorial representation, I opened my senses to the nature of the fire and its very essence.  As a purely physical phenomenon, fire is the oxygenation of gaseous materials; upon deeper examination fire shows itself to have a life-force, to which many firefighters surely relate, as they stare down the flames and try to understand the next move of the fire in font of them.

Allowing my senses to open themselves up further to the campfire, I not only watch the playful dance of flames and feel the heat projecting from the various parts of the fire, but also listen intently to the sounds emanating from the fire and smell the oils in the wood and the smoke.  Going deeper, bringing myself to meditate while focused on the intensity of the center of the flames, I begin to feel the strength of the universal processes at work and begin to connect with the creative forces that are an innate part of fire’s destructive power.  Through this connection, I capture this image of creation juxtaposed by destruction, a universal dance of life and death.

I expect that each may have a different reaction to this image at various emotional levels, ranging from the visceral to the intellectual.  Enlarge the image and allow time for the senses to connect with it; please share what you feel in this capture, as I enjoy your thoughts and feedback.

Technical Details

This image was captured at 100 ISO, F/9 at 8 second shutter speed.  A gentle zoom twist was employed to get the some of the sense of flow.  A steady hand ensured that the continuity of the gaseous flow was preserved in the image.  The original image was cropped and rotated 90 degrees; color and contrast were enhanced in Photoshop, but no effects were added to alter the image from that captured in the camera.

Author: jansenphoto

A Fresh Perspective Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment. Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael. My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals. Universal Connections My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation. This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections. Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client. And, lest we forget, it is important to have fun while practicing the serious business of photography!

2 thoughts on “Kryptomorphaics #5 – Pyroplasm 3x”

  1. Jeff, thank you! I am slowly learning that it pays to re-examine images to take a different look at them; this one made for a great discovery and enhanced the overall strength of the image.

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