Kryptomorphaics #7 – Centripetus

Reality viewed through a web of perception
Centripetus

Image Description

On a beautiful Summer’s day I stopped at a rolling meadow to capture some of the landscape with my camera; less than twenty minutes later I got back in my car with a number of images, one of which is ‘Centripetus’.

In photographing landscapes, there is always a desire in me to capture something unusual that has not been seen the same way by all who were at the site.  Whether it is the beauty of the sky, unusual features traversing the landscape or an alternate point of view, there should be something in a landscape image that makes the viewer want to look more than once.

With my eyes alertly searching for just the right kind of view that would make an interesting photograph, I squinted a bit as I walked past a tree and some small bushes growing next to it; looking through the bushes toward a horizon that showed a beautiful color palette across the sky, I sensed something more.

The more that I sensed consists of a view through these very bushes toward the reality that lies beyond them, not a clear view, but one filtered through a veritable web of perception.  This view draws us in with the knowledge that there is more to be discovered beyond these bushes; we thirst to pass through the web and uncover what our eyes cannot yet see, while our entire being is tugged by the impetus to approach the center.

Take a moment to allow the eyes to slowly adjust and let themselves be drawn in; float with them and feel the force that resides within the green world in front of us.

Technical Details

This image was captured at 100 ISO, F/22 at 1/3 second shutter speed.  A snappy zoom twist with a modicum of camera rotation was used to create a sense of webbed delight.

Author: jansenphoto

A Fresh Perspective Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment. Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael. My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals. Universal Connections My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation. This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections. Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client. And, lest we forget, it is important to have fun while practicing the serious business of photography!

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