The railroad that runs through West Boylston does not carry a large amount of traffic. The occasional cargo train will rumble through town at a rather slow speed; if one gets caught by the train at one of the two grade crossings in town, it is best to turn your car’s engine off and relax, as it will be a while before the crossing clears again.
When I am fortunate enough to meet a train in this way, I enjoy the time to take a closer look at what is passing in front of me. There is much to learn by watching a train pass by. The railroad is a veritable history collection on steel wheels. Ranging from the collection of freight cars and their owners to the cargo that they haul, each train tells a story.
The train may be made up from a large variety of rolling stock from carriers, such as Green Mountain Railroad, Boston and Maine, Pan Am Railways, Bangor and Aroostook, Maine Central, Providence and Worcester Railroad, and the list goes on. Each of these railroads has their own background and current state of success or trouble. Some railroads do well financially, but many small railroads’ fate often hinge on consolidation.
The types of the railcars tell another part of the story: what is being carried. Usually, I see a mix of tankers, car carriers and loads of building wood on center beam cars. One part that is always a mystery, is where the cargo originated and what its final destination is.
Additionally, the train is a rolling canvas for graffiti artists. Often just a stylized writing of the artist’s chosen name or some clever message; occasionally, there is a true masterpiece that rolls by and you cannot help, but be amazed by the talent.
By the time the train completes its passage of the grade crossing, I have been entertained, puzzled and stimulated. It’s time to fire up the engine once more and continue the journey.
A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
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2 thoughts on “Instant Grammar – page 43”
Truly stunning… I’m lacking words. Thank you for sharing!
Thank you very much!