Dogstar Thursday – vol 20

The featured dog this week is one of the ultimate performance breeds, as they are excellent at a variety of tasks ranging from herding to obedience and agility, which comes as no surprise, as the breed focuses on intelligence and obedience.  The Border Collie is a working and herding dog breed developed in the Anglo-Scottish border region for herding livestock, especially sheep.

Description

In general, Border Collies are medium-sized dogs with a moderate amount of coat, which is often thick and frequently sheds. They have a double coat which varies from smooth to rough, (and occasionally curled). Whilst black and white is most commonly seen colour pattern of the Border Collie, the breed appears in just about any colour and pattern known to occur in dogs. Some of these include black tricolour (black/tan/white), liver and white, and red tricolour (red/tan/white) have also been seen regularly, with other colours such as blue, lilac, red merle, blue merle, brindle, and Australian red (also known as ee red, blonde, recessive red, or gold) which is seen less frequently. Some Border Collies may also have single-colour coats.

Eye colour varies from brown to blue, and occasionally eyes of differing color occur; this is usually seen with merles. The ears of the Border Collie are also variable — some have fully erect ears, some fully dropped ears, and others semi-erect ears (similar to those of the rough Collie or sighthounds). Although working Border Collie handlers sometimes have superstitions about the appearance of their dogs (handlers may avoid mostly white dogs due to the unfounded idea that sheep will not respect a white or almost all white dog), in general a dog’s appearance is considered by the American Border Collie Association to be irrelevant. It is considered much more useful to identify a working Border Collie by its attitude and ability than by its looks.

Dogs bred for showing are more homogeneous in appearance than working Border Collies, since to win in conformation showing they must conform closely to breed club standards that are specific on many points of the structure, coat, and colour. Kennel clubs specify, for example, that the Border Collie must have a “keen and intelligent” expression, and that the preferred eye colour is dark brown. In deference to the dog’s working origin, scars and broken teeth received in the line of duty are not to be counted against a Border Collie in the show ring. The males’ height from withers comes from 48 to 56 centimetres (19 to 22 in), females from 46 to 53 centimetres (18 to 21 in).

History

The Border Collie is descended from landrace collies, a type found widely in the British Isles. The name for the breed came from its probable place of origin along the Anglo-Scottish border.  Mention of the “Collie” or “Colley” type first appeared toward the end of the 19th century, although the word “collie” is older than this and has its origin in the Scots language. It is also thought that the word ‘collie’ comes from the old Celtic word for useful. Many of the best Border Collies today can be traced back to a dog known as Old Hemp.

In 1915, James Reid, Secretary of the International Sheep Dog Society (ISDS) in the United Kingdom first used the term “Border Collie” to distinguish those dogs registered by the ISDS from the Kennel Club’s Collie (or Scotch Collie, including the Rough Collie and Smooth Collie) which originally came from the same working stock but had developed a different, standardised appearance following introduction to the show ring in 1860 and mixture with different types breeds.

Old Hemp

Old Hemp, a tricolor dog, was born in Northumberland in September 1893 and died in May 1901. He was bred by Adam Telfer from Roy, a black and tan dog, and Meg, a black-coated, strong-eyed dog. Hemp was a quiet, powerful dog to which sheep responded easily. Many shepherds used him for stud and Hemp’s working style became the Border Collie style. All pure Border Collies alive today can trace an ancestral line back to Old Hemp.

Wiston Cap

Wiston Cap (b. 28 Sep. 1963) is the dog that the International Sheep Dog Society (ISDS) badge portrays in the characteristic Border Collie herding pose. He was a popular stud dog in the history of the breed, and his bloodline can be seen in most bloodlines of the modern day Collie. Bred by W. S. Hetherington and trained and handled by John Richardson, Cap was a biddable and good-natured dog. His bloodlines all trace back to the early registered dogs of the stud book, and to J. M. Wilson’s Cap, whose name occurs sixteen times within seven generations in his pedigree. Wiston Cap sired three Supreme Champions and is grand-sire of three others, one of whom was E. W. Edwards’ Bill, who won the championship twice.

Introduction to New Zealand and Australia

Collies were listed as imports to New Zealand as early as 1858, but the type was not specified.  In the late 1890s James Lilico (1861?–1945) of Christchurch, New Zealand, imported a number of working dogs from the United Kingdom. These included Hindhope Jed, a black, tan and white  born in Hindhope, Scotland in 1895, as well as Maudie, Moss of Ancrum, Ness and Old Bob.

It is unclear whether Hindhope Jed was a descendant of Old Hemp. Born two years after him, she is mentioned in a British Hunts and Huntsmen article concerning a Mr John Elliot of Jedburgh:

Mr Elliot himself is well known for his breed of Collies. His father supplied Noble to the late Queen Victoria and it was from our subject that the McLeod got Hindhope Jed, now the champion of New Zealand and Australia.

At the time of her departure to New Zealand, Hindhope Jed was already in pup to Captain, another of the then new “Border” strain. Hindhope Jed had won three trials in her native Scotland, and was considered to be the “best to cross the equator”.

In 1901 the King and Mcleod stud, created by Charles Beechworth King (b. 1855, Murrumbidgee, NSW), his brother and Alec McLeod at Canonbar, near Nyngan (north-west of Sydney), brought Hindhope Jed to Australia, where she enjoyed considerable success at sheep dog trials.

Technical Details

This image was captured with a Canon EOS 1D Mk III using an EF 70-200mm f/2.8L lens and EF 1.4x extender.  Exposure settings were at 1/640 second, f/6.3 and 200 ISO.

Author: jansenphoto

A Fresh Perspective Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment. Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael. My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals. Universal Connections My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation. This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections. Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client. And, lest we forget, it is important to have fun while practicing the serious business of photography! View all posts by jansenphoto