A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
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7 thoughts on “Three Line Tales – Future Focus”
Thank you very much!
This is goood! 🙂
Thank you kindly!
GASP I hadn’t seen that perspective, but a scary thought to have – reflecting on our shared shame in America’s internement camps of World War II. Never again. Poignant as always.
It’s a dark side of our history that doesn’t get enough attention in my opinion. One of my dogs is named ‘Salute of Innocence ‘, which is Dorothea Lange’s photo of Japanese children in an internment camp saluting the American flag.
Wow! I’m embarrased to say I had no idea about the American Japanese Internment camps until I was well into adulthood — and I was raised in the United States! It’s a whitewashing of our children I am so very concerned over. As we evolve as a society, as we move forward in our interconnected world, our individual and shared histories are what binds us. Knowing those histories, being curious and sensitive of those times, is what allows our society to rise above the fray of politics, disagreements, and push to common goals — keeping a firm grasp on our histories. Thank you so much for another moving submission. I so enjoy reading your work and looking at your photography — a story teller at heart 🙂