Plentiful Paperclips

The WordPress Daily Prompt provides the theme of Profuse, which gave me an immediate thought.

One of the things that I have always enjoyed doing in my photography is the solving of tricky lighting riddles, which is something that I tackled in this situation.

I wanted to photograph these paperclips in a way that gave them a bit more drama and, maybe even a bit of mystery.  To achieve this effect, I looked to provide stark shadows, which meant to keep the light at a very low angle of incidence and ensuring that the background stayed very black, as seen here…

Paperclips-12x18
A Profusion of Paperclips

Shooting a black background is a bit tricky, as any light that falls on it has the tendency to show up gray.  For this shoot I used a single flash and cinefoil to control the light (and shadow).  Cinefoil is akin to a heavy aluminum foil, but a matte black rather than shiny.  In order to make the paperclips large, I used a macro lens with an extension tube, so that I could pull the focal plane in a little closer.

It was fun to create this shot, and even more fun, after I printed it as a 16″x20″ format print; it’s cool to see paperclips becoming large!

Have a wonderful day!

Comments

4 responses to “Plentiful Paperclips”

  1. lizMc Avatar

    Hi Frank! A great shot that looks so simple, but your explanation of what it takes to get it shows it’s not! And, you took me down the rabbit hole with this one. I don’t have any real “studio” photo experience. Most of the time I’m working in natural light and use post production techniques. Your mention of cinefoil led me to snoots, grids and barn doors, film noir lighting, etc. So much to learn! In your paperclips image, did you use the cinefoil on an off-camera speedlight?

    1. jansenphoto Avatar

      Welcome to the rabbit hole!!

      The biggest secret of lighting is to keep it simple and build up the scenario as dictated by needs. I was lucky enough to learn some great techniques from a true master of on-location lighting with speedlights.

      Even though I have modifiers for my studio lights, I find that using a bit of cinefoil or a simple cutout to control light produces some fo the most effective lighting, because they are customized to the situation.

      For the paperclips image, I used a single off-camera speedlight (easier to minimize lightsplash) with the cinefoil; I softened the shadows a bit with a white reflector, which eliminated some dark spots as well.

      Have fun!!

      Frank

  2. bushboy Avatar

    Great photo Frank. Thanks for the explanation as well:)

    1. jansenphoto Avatar

      Thank you very much, Brian!

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