C.P. #6: In-Camera Abstraction

One of the approaches to changing up my photography game over the years is to experiment in lots of different directions. These experiments have always been more about finding out if there was something that connected for me rather than having a very precise target.

With this approach, I have found that there have been numerous blind alleys that didn’t resonate and a few paths that I keep returning to, as there’s just something that keeps pulling me in their direction. One such path is using the camera to create more abstract images, such as this…

This image from 2012 is an example of the abstract path that I called an exploration of kryptomorphaics; yes, I made the word up from the concepts of hidden (krypto) and changing the shape (morph) of what I saw in front of me. A lot of these images are whimsical, such as this one, where the bright bits of light among leaves allowed me to create a completely new form for them. Thus the title of this shot, as Gwragedd Annwn are beautiful water faeries.

The technique on this image is rather straightforward, as I did a simple tight, imperfect round motion with the barrel of the lens to create a more circular form during the 0.3 second exposure. This created the more dance-like movement of the light across a darker landscape, giving the illusion of water sprites flittering in front of us.

During my exploration I found many ways to create abstractions directly in my shots, and every once in a while I think of a new thing to try to see how it connects for me. As I used these various techniques there did come a point that I started ‘seeing’ the possibilities in various scenes that allowed me to create something interesting.

I’d love to hear of what your photographic explorations have created for you!

Author: jansenphoto

A Fresh Perspective Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment. Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael. My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals. Universal Connections My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation. This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections. Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client. And, lest we forget, it is important to have fun while practicing the serious business of photography! View all posts by jansenphoto

7 thoughts on “C.P. #6: In-Camera Abstraction”

Love the bright blues! I think you’d enjoy 52Frames.com,the weekly photography challenge that I submit to. A different theme each week. A recent one was ICM (intentional camera movement). Check it out.