A memorable experience involved a sunrise shoot that was obscured by fog, prompting a creative approach that resulted in unique images.
Photography workshops are a lot of fun! I’ve attended a fair share of them for a blend of reasons. It’s part exploring an area with someone who knows where all the great spots are. Part finding inspiration through learning new techniques and seeing how someone else approaches their photography. And also a lot of fun, as there are always moments of levity.
Today’s throwback is from one of those moments…
Abominable Merman
During a workshop in the Chincoteague area with John Slonina we were slated to do a sunrise shoot at the beach. A great idea, as in November one doesn’t have to get up too early for that opportunity. When we got to the beach, it was fogged in to such a level that the sun was nowhere to be seen!
As we were waiting to see if the fog would burn off (it never did), I decided to use this scene to do something a little different. I set up my camera, aimed it at the sea and dialed in a 10 second exposure. Remote shutter release in hand, I walked into the foggy ocean and released the shutter as I slowly trodded back toward the camera. It took about a dozen shots to dial things in, but it did create something a little different!
Moral of the story: sometimes the foggiest idea is worth trying!
A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
Universal Connections
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
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