Part of my thinking behind this series of posts is to get a bit of feedback from all of the readers, which should help me formulate a crisper view on my photography. It’s been very heartening to see your thoughts on some of my abstract images, so I thought I’d also mix something a little different in this week.
As the Tuesday Photo Challenge has the theme of Abandoned, this week’s Warped Wednesday image kind of fits pretty well…
Flying Dutchman
This is an image that I took during a bit of urban exploration a number of years ago in Westborough, Massachusetts. This is inside the farm that was part of the state hospital (I say was, as this building has been razed).
When I chanced upon this interior, I immediately had a sense of being inside the hold of a ghost ship, devoid of life and stripped bare; somewhere, there was the foreboding that all could come back in an instant: crew, canons and full ship to ship combat.
That’s why I decided on a 5 shot HDR series that I processed in a rather stark fashion, using a grungy look to get the desired effect.
I’m curious to find out how this image speaks to you.
A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
Universal Connections
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
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7 thoughts on “Warped Wednesday – pt. 4”
I love the way the lines draw the eye deeper into the photo. I was a bit disappointed that at the focal point there was nothing to hold my attention. My imagination adds someone tied up in a chair awaiting painful interrogation.
Really like your analysis, including your disappointment. Painful interrogation, while imaginative, is not a direction that I wanted to go towards (I didn’t have a willing victim with me 🙂 ); I purposely left the rather undefined light to allow the mind to wander across the threshold into whatever scene may lie ahead…
I like that you have captured the shadows (from posts) falling in opposite directions, caused by the windows on opposite sides. There is a suggestion that some shadows might be cast by objects (from the past) that we can’t see.
I love the way the lines draw the eye deeper into the photo. I was a bit disappointed that at the focal point there was nothing to hold my attention. My imagination adds someone tied up in a chair awaiting painful interrogation.
Really like your analysis, including your disappointment. Painful interrogation, while imaginative, is not a direction that I wanted to go towards (I didn’t have a willing victim with me 🙂 ); I purposely left the rather undefined light to allow the mind to wander across the threshold into whatever scene may lie ahead…
Thank you for your insightful comments!
I think your derelict (abandoned) ship reference probably pushed my mind in the wrong direction.
I think it is stunning.
Thank you kindly!
I like that you have captured the shadows (from posts) falling in opposite directions, caused by the windows on opposite sides. There is a suggestion that some shadows might be cast by objects (from the past) that we can’t see.
Very interesting; in all honesty, I had not noticed that before and really like that you found this. Great interpretation!
Thank you!