Snæfellsnes Peninsula – part 1

A while back, I presented you with a teaser with some images of the Snæfellsnes peninsula, which provides an incredible variety for photography, ranging from stunning landscapes to history and wildlife.

Today, I’ll highlight one of the early encounters on our trip: Búðakirkja in the town of Búðir.

Búðakirkja standing strong under a heavy sky

This is one of a set of so-called ‘black’ churches in Iceland, which stand apart from many other churches due to their exterior being covered with tar pitch, so that they could better withstand the elements.

Búðakirkja was built originally in 1703, when it was a small turf church with a cemetery to provide consecrated grounds; burials have taken place here since 1705. Due to the rough weather and economics, the church fell into disrepair and was abolished by royal letter in 1816 due to its poor condition.

In the mid-19th century, a local widow, Steinunn Sveinsdóttir, applied for permission from Church authorities to rebuild a church at Búðir. Her efforts led and paid for the building of the wooden church that we know today.

Búðakirkja with mountain range in the background

Construction of the church finished in 1848, and it was consecrated in 1851. Steinunn passed away in 1854 at the age of 77 years; she is buried in Búðir cemetery, where a gravestone still stands in her memory.

The church itself is rather small, as it measures approximately 9m x 5m, which is a single space; it seats about 50 people and is still available for ceremonies. Just be aware that there is no heating or running water in the church, so you may have to rough it a bit.

Búðakirkja holds one’s attention

Visiting this location definitely provided me with a sense of mystery and a deep appreciation for the people who made (and make) this area their home. It takes dedication, perseverance and faith to be successful in this rugged land.

More details about the church can be found at its website link.

Author: jansenphoto

A Fresh Perspective Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment. Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael. My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals. Universal Connections My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation. This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections. Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client. And, lest we forget, it is important to have fun while practicing the serious business of photography!

10 thoughts on “Snæfellsnes Peninsula – part 1”

  1. It looks lovely inside. Iceland is such an amazing country, I love watching on television anything from there, documentaries, crime dramas and a comedy we loved a while back about the night shift at a petrol station!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

photo roberts blog 2

ich zeige euch meine stadt wie ich sie sehe

The Wee Writing Lassie

The Musings of a Writer / Freelance Editor in Training

Pencil Notes

Pencil on paper. Images arise. Message received.

nancy merrill photography

capturing memories one moment at a time

Mama Cormier

.... my journey to a healthy life, making new memories and so much more

Don't Forget the Half

Loving the sum total of all my parts!

sound mind journal

a quiet place where our minds meet

My Camera & I (3)

This blog is my creative outlet where I can share my photos, my travels, my random thoughts and a bit of myself.

Maria Vincent Robinson

Photographer Of Life and moments

Does writing excuse watching?

Wasting time on the couch.

Dare Boldly

Artful Words to Inspire Everyday Living

Jennifer's Journal

Website & Blog of J. Kelland Perry, Author

%d bloggers like this: