One of the things that I cannot overstate about Iceland is that there are great views wherever you go. Even when the weather might not be perfect, you’ll find yourself in awe of the landscape, just about no matter where you are in this gorgeous island nation. And when the weather plays into your hand, you find yourself almost overwhelmed by the beauty that surrounds you.
During our first day on the Snæfellsnes peninsula our tour leader, Loren Fisher, just about blew our mind with the number of great locations and the vistas that we experienced. Even when he took us on a little detour from the main attractions, there appeared a great photographic subject in front of our lenses.
In real estate the operative words are “Location, location, location”. That doesn’t begin to describe where we see this house that is near the little harbor in the village of Arnarstapi, also known as Stapi. The house is called Amtmannshúsið in Icelandic, as it was the residence of the Danish Prefect during the time that Iceland still belonged to Denmark. This is now a historical site.
In the background you see the snow-covered peaks of Snæfellsjökull, a 700,000-year old glacier-capped stratovolcano. For the readers who remember Jules Verne’s book ‘Journey to the Center of the Earth’, you may be interested to know that Stapi was the last stop before climbing Snæfellsjökull, where they enter the interior of the planet through a tunnel.
To the left, we see the slopes of Mount Stapafell, a pyramid shaped palagonite mountain; atop the mountain sits Fellskross, the dwelling of the “hidden people” or elves. It is rumored to have magical powers!
The hill in the right hand side of the image is part of a lavafield, a landscape feature that is ubiquitous in Iceland.
For the photography nerds among you, this image was captured with a Canon EOS R5 using a Canon RF 24-105mm F4 L IS USM lens. I shot this at ISO 800 and an aperture of F/11 and 1/640 sec shutter speed.
Processing was done using a combination of Skylum Luminar AI and Adobe Photoshop. In Luminar AI, I created a template for the Snæfellsnes images that was based on ‘City – Cozy Streets’ from the Ultimate Travel Collection of templates by Albert Dros. Starting from this template, I added warmth, structure and strength to the sky, as well as several other adjustments, resulting in what I named ‘Snæfellsnes Drama’. Photoshop was then used for some minor adjustments and a bit of soft light and contrast.