In a portfolio, how do I categorize the interplay between abstract and landscape imagery, such as when we capture mysterious reflections and shapes, evoking all kinds of ideas.
In last week’s post titled ‘Monday’s Portfolio Musings – v. .2.11’, I mentioned that categories and themes are emerging in looking through the volume of images from the last 20 or so years of my photography. At this time, I may not have descriptors for each of the categories yet, as they have me thinking that images are crossing boundaries between the categories.
One of these boundary crossings is between abstract and landscape, as might be the case for this particular image…
Floating Mystery
This capture from 2012 still intrigues me, as it has a combination of reflection, variation in light and dark, and unusual shapes that crop up in the pond. This gives a bit of an otherworldly sense, as one could imagine that alien creatures are arising from the pond, on a mission of exploration to find out what this Earth is all about. I can only think that humanity might confuse these aliens into either leaving in despair or taking pity…
As long as we’re not ending up the subject a Twilight Zone episode, we’ll be alright.
A Fresh Perspective
Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment.
Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael.
My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals.
Universal Connections
My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation.
This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections.
Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client.
And, lest we forget, it is important to have fun while practicing the serious business of photography!
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5 thoughts on “Monday’s Portfolio Musings – v. 2.12”
The point where the land becomes pond/reflection keeps changing every time I look at it. Fascinating.
The point where the land becomes pond/reflection keeps changing every time I look at it. Fascinating.
Thank you! Yes, this is one of those images that keeps me intrigued.
I can see why.
It’s a hybrid of reality and surreality…! The best of both worlds…
Indeed! It floats between planes of existence!