In last week’s post on My Creative Approach – part 1, I talked a bit about the impact of the inner vision in shaping the image; steering the edit of an image definitely is one way for me to get to what I’m trying to express. In this post, let’s take a look at another way to find that expression.
Last week during the walk on the beach at Meigs Point, one of the pieces of driftwood caught my attention…
This beach always provides some interesting subjects for photography, and when I saw the shape of this jetsam, my mind’s eye started putting together a concept that might be possible. Using the available light and shifting my perspective, I opened up my imagination and let the shape speak to me.
At these times, it is important to use one’s feet and view your subject from multiple angles; as part of this process don’t forget to vary the height of the camera…
Using height and composition to my advantage, the head starts to articulate above the landscape and one can almost feel there is something waiting to arise from this ancient head; could it be steam or fire? Letting our imagination do its duly appointed work, I can almost see the ancient Viking longships coming to the coast of the New World with their dragon-shaped figureheads; as the settlers left their beached ships behind, weather chipped away at the details over the centuries, leaving behind just enough to remind us of the way they once graced the oceans’ waters.
Part of the creative process here was in the selection of composition and using the camera’s aperture to set the subject apart from a more dreamy backdrop. Allowing the viewer’s eye to travel across the image helps establish a connection to their imagination from yours!
This image was captured with a Canon EOS R5 and Canon RF 24-105mm f/4L IS USM lens. Aperture was set at f/5.0, at 400 ISO and 1/1250s exposure. Minor touch ups and a bit of contrast was provided in post-processing.
The daily task in the WordPress Blogging 101 course that I am taking, was to remind us that blogging is not a one-way street: there should be balance between the blogs you read and the posts you write. Our assignment was to find 5 new blogs to follow that piqued our interest.
The approach that I took for this task was to do some noodling around with the WordPress Reader, as it became rather obvious that the net that I was casting with my tags was much to wide. After a little tweaking, I found a tag that I liked that led me to some pretty cool blogs with some inspiring images; I used ‘Abstract Photography’ for the tag to find these blogs:
The Brighter Writer – this blog contains interesting manipulation of images to create abstract art and provides stimulating visions to inspire all.
Lingua Franca – Omar writes about technology, photography, literature and social issues and complements his writing with images that show his vision of the world.
Mundane Profundity – I picked this blog, because I sense that we’re kindred spirits with some great early posts and a significant hiatus. As the author just kicked off a 2016 project, I look forward to seeing what else appears…
This exploration was a lot of fun and inspiring to keep me going. From time to time, I will do some additional checking of what comes out of other tags in the Reader…
Over the past number of years a tremendous amount has been written about HDR imaging and the state of the art has evolved at a rapid pace. This blog contains some of my thoughts about this topic, some of the work that I have done in HDR and a tip or two.
First off, what is HDR? High Dynamic Range photography is a combination of photographic and editing techniques for extending the dynamic range of luminosity of an image. What this means in real-world terms is that some of the darker parts of a scene can be treated with more light and some of the brighter parts can receive a bit less light, so that the overall effect results in a more complete viewing experience of the scene when processed.
The concept of extending the dynamic range covered in an image is not as new, as you might think: in the 1850s, French photographer Gustave LeGray combined multiple negatives of sea and sky to create seascapes that are stunning to behold with dramatic skies. Significant additional developments were made in the 1930s and 1940s through manual dodging and burning (increasing and decreasing of exposure) of areas in a negative to create a more dramatic print; Ansel Adams was a true artist in this process, as can be seen in many of his famous landscapes.
The advent of massive processing power in desktop computers combined with Digital Photography has created a new level of interest, which has allowed many photographers to capitalize on some of the algorithmic advances that have been made in the 1980s and 1990s in image processing.
At this point in time, there are also numerous cameras available, which do the HDR processing on-the-fly, taking multiple images and combining them into a single HDR image with preset processing settings.
As touched on earlier, the HDR process extends the dynamic range of luminosity in an image; this enables us to bring the range of image capture somewhat closer to that available in the human eye. Camera sensors have gotten better over the past years, so that the range of the camera’s sensor starts to rival that of the human eye, which may lead one to think that the need for HDR is diminishing. This definitely is true from the perspective of being able to ‘see’ as much as the human eye with the camera.
From my point of view, there is no diminished reason to use HDR imaging, as there are several benefits to working with HDR that cannot be achieved easily through other means, such as:
The setting of very specific moods within the image.
Creating that dramatic sky, which Gustave LeGray was after
There definitely are other great reasons for HDR, but these are some of my personal favorites. I have included a couple of samples from my work with HDR in this post to give a bit of flavor.
I mentioned tips in the beginning of this post, so here are a couple from my experience with HDR:
Bring a tripod! It will make your processing work that much easier later – the Cape Neddick image was shot free-hand with the camera on HDR, so it is possible)
If possible, meter the light, so that you can set your bracketing up correctly for a good range. As a rule of thumb, I use -2, -1, 0, +1 and +2 for my exposure values in a range of 5 shots; more or less will work, depending on the scene.
Have a vision of what you want to achieve with your shot, before you process it. Aimless HDR processing is never very fruitful, regardless of the quality of the software; with a vision in mind, you will know when you have arrived at the sweet spot of your endeavor.
Experiment! Not every image will make a great HDR image, which can only be found out through experimentation.
And, of course, most importantly, have fun when working your images. You’re not going to convince everyone that you did the right thing when processing your ‘killer’ image, but, if you’re happy with the end result, you can smile despite what someone else says about it.