Looking over Volterra

Beautiful vistas and rich history

Volterra is a walled mountaintop town in the Tuscany region of Italy of which its history dates to before the 7th century BC and has substantial structures from the Etruscan, Roman, and Medieval periods.

Volterra, known to the ancient Etruscans as Velathri or Vlathri and to the Romans as Volaterrae, is a town and comune in the Tuscany region of Italy. The town was a Bronze Age settlement of the Villanovan culture, and an important Etruscan center (Velàthre, Velathri or Felathri in Etruscan, Volaterrae in Latin language), one of the “twelve cities” of the Etruscan League.

20170522-Volterra_DSF1497_8_9
Looking over Volterra

The site is believed to have been continuously inhabited as a city since at least the end of the 8th century BC. It became a municipium allied to Rome at the end of the 3rd century BC. The city was a bishop’s residence in the 5th century, and its episcopal power was affirmed during the 12th century. With the decline of the episcopate, Volterra became a place of interest of the Florentines, whose forces conquered Volterra. Florentine rule was not always popular, and opposition occasionally broke into rebellion. These rebellions were put down by Florence.

When the Florentine Republic fell in 1530, Volterra came under the control of the Medici family and later followed the history of the Grand Duchy of Tuscany.

In recent history, Volterra was the residence of the Volturi, a coven of rich, regal, powerful ancient vampires, who essentially act as the rulers of the world’s vampire population; of course, this was fiction, as part of Stephwnie Meyer’s Twilight series.

Technical Details

This image series was captured with my Fujifilm X-T1 using a Fujifilm XF18-135mm f/3.5-5.6 LM OIS WR lens.  Exposure settings for the series of images were at 1/350-1/1500 second, f/9 at 1000 ISO.  They were processed using Photomatix Pro.

Author: jansenphoto

A Fresh Perspective Photography is more than just a vehicle for capturing the world around me; it provides me with a palette and a set of brushes, with which I paint not only what I see, but also look to express the emotions that are evoked by the scene in front of me in that moment. Growing up in the Netherlands exposed me to a wide cross-section of visual arts that laid the foundation of my photographic view of all that surrounds me. Early influences were the Dutch Masters of the 17th century, to whom I was introduced by my grandfather during museum explorations; favorites among them are the scenes of quotidian life depicted by Jan Steen and Frans Hals and the vivid landscapes of Jacob van Ruisdael. My classical high school education was supplemented by the Boijmans Van Beuningen museum, where I spent many a lunch hour exploring its great collection. Here I was introduced to surrealism with a particular love for the approach taken by Salvador Dali; Dali also rekindled my appreciation for the work of Hieronymus Bosch, who often showed the folly of us mortals. Universal Connections My approach to any photographic subject is to look for understanding first; in this I look to establish either a connection between the viewer and the subject or capture the connection of the subject with its surroundings. The captured image then aims to portray this connection from a perspective that is part of my personal interpretation. This interpretation is often a form of externalized introspection, which may alternately display the connection of isolated beings and items with their environment or highlight the whimsy of the profound world, in which we find ourselves. The universe is full of connections, many of which are waiting to be discovered; part of my journey as a photographer is to document these connections. Any assignment, be it an event, a product shoot or a portrait session is always approached through communication with the client; this is where the first connection is established. Ideas are exchanged and a collaborative plan of action forms, ultimately resulting in a set of images that aim to exceed the expectations of each client. And, lest we forget, it is important to have fun while practicing the serious business of photography!

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