A view from a hotel room in Raleigh during my work trip, showcasing nearby office buildings and a serene sky.
Even when out on a trip for work, there are plenty of windows to be found. Therefore, this week’s post has fresh material!
Here’s a view from yesterday…
View from a Window
As I’m in Raleigh, here’s a view from my hotel room looking toward some of the office buildings nearby. It’s rather quiet at this time of day, as you can see, but at least there’s a nice looking sky!
This is my mid-week contribution to the Monday Window thread, a creation of Ludwig Keck. To read more about Ludwig, check this page.
This week we feature a view from Liverpool, focusing on Anfield stadium, home of Liverpool FC.
This week we’re jumping back to a more modern view than in last week’s Wednesday Window, while staying on the same island. Last week we were in Scotland, and this week we’re just a wee bit south in the wonderful city of Liverpool.
Here’s the view that I captured in 2019…
Anfield View
This is a view across Alroy Road from somewhat higher up in Anfield stadium, the hallowed ground of Liverpool FC. This was my first visit to the stadium, so I took one of the tours (highly recommended). For those of you who are Everton fans, Goodison Park stadium can be seen in the distance across Stanley Park.
This is my mid-week contribution to the Monday Window thread, a creation of Ludwig Keck. To read more about Ludwig, check this page.
Reflections on a trip to Scotland, with its abundance of historical ruins, such as churches, abbeys, and castles, which connect the past to the present.
After last week’s Wednesday Window in the lovely city of Brno, we’re jumping to another wonderful country in Scotland. In 2013 my wife and I toured a bit of Scotland , which has only increased our desire to go back to visit more of the country. One of the things that stands out in Scotland are the number of ruins of churches, abbeys and castles that one can visit, each with their own character.
Here’s a view from one of the chapels…
Past to Present
The connection between the past and the present is very strong across all of the country. The preservation of history through allowing these ruins to stand as monuments to the actions of the past strengthens this bond.
And, yes, technically, the window is gone while still being very present.
This is my mid-week contribution to the Monday Window thread, a creation of Ludwig Keck. To read more about Ludwig, check this page.
With this Wednesday Window we’re back at the Harpa Concert and Convention Centre in Reykjavik, Iceland.
After last week’s Wednesday Window taking a look into a lovely holiday tableau, I thought it would be interesting to take a view to the outside. Now, I didn’t want to take a rather obvious approach of looking out through a window. Rather, I was thinking about a bit of indirection.
Here’s this week’s view…
Harpa Loft
We’re looking at the ceiling interior of the Harpa Concert and Convention Centre in Reykjavik, Iceland. They very cleverly made the ceiling an art installation through the pattern, which reminds me a bit of the Q*bert game from the 1980’s. The windows in this image are reflected by the ceiling, allowing us to look outside on a rather overcast day.
Harpa is an astonishing work of architecture, which is filled with interesting bits to photograph. Hope you enjoy this one!
This is my mid-week contribution to the Monday Window thread, a creation of Ludwig Keck. To read more about Ludwig, check this page.
A moment from my time in the Netherlands during 2020, appreciating the absence of early morning meetings.
After the heady heights of New York City’s skyscrapers in last week’s Wednesday Window post, time to get back to the ground floor. In this week’s edition, I’m back in the home country, the Netherlands! In 2020 I spent an extended amount of time visiting (good old Covid days), which made it interesting to work from there. One thing that I observed was that it was nice to not have meetings starting at 7 am!
Here’s a window-y look from that stay…
Wietze’s Window
During this time, I enjoyed the hospitality of my sister, Erna, and her husband, Wietze. Wietze has amassed quite the collection of interesting decorative elements in the outdoor party area, and this mirrored window is one of them. With the nice weather it was great to enjoy the sunshine, fresh air and great company!
This is my mid-week contribution to the Monday Window thread, a creation of Ludwig Keck. To read more about Ludwig, check this page.
We explore a reflection of Portland Head Light in Cape Elizabeth, Maine, captured in 2009.
This week we’re definitely going a bit less traditional in the interpretation of ‘Window’ in the strictest sense. In this image from 2009 we get to see what happens when we walk around and notice things.
Here’s the take…
Window into the Light
This reflection is of the top (window) part of Portland Head light on Cape Elizabeth in Maine. As I had just taken some beauty shots of the lighthouse with lovely blooming bushes in the foreground, I was sauntering. When I’m in that mode, I always look in multiple directions to see what’s there.
For me, it’s also interesting to think that nowadays I would take this shot very differently. I know that I took this handheld with a shutter speed of 1/50s and a focal length of 105mm. These days I would slow down a bit and set up a tripod for this shot.
This is my mid-week contribution to the Monday Window thread, a creation of Ludwig Keck. To read more about Ludwig, check this page.
A 2008 trip to the Netherlands and a visit to Beeld & Geluid, the Netherlands Institute for Sound & Vision.
In this week’s installment, it’s time to go back to the mother country, the Netherlands. This was from a trip in 2008 to visit family with my youngest daughter in tow. The two of us took several side trips and overall had a pretty good time.
Here’s a view of some windows that we encountered during this trip…
Beeld & Geluid
Beeld & Geluid (Vision & Sound) is the home of the Netherlands Institute for Sound & Vision. It houses an audiovisual archive of Dutch media. The architecture of this building is striking from its facade to its interior. As we were exploring some of the galleries I managed to get this snapshot.
One of these days I have to come back here and look through their archives. I might even be in them, as our high school qualified for a nationally televised quiz show.
This is my mid-week contribution to the Monday Window thread, a creation of Ludwig Keck. To read more about Ludwig, check this page.
A delightful stroll through Amsterdam’s backstreets leads to a captivating image of a poster from the Amsterdam Marionette Theater.
This week, I am taking you back on a walk through the lovely city of Amsterdam. As my wife and I sauntered through the city, crossing canals and following alleys, we found plenty an interesting sight.
As we walked through a small street, I captured this image…
Amsterdam on a String
My first impression of this sight was the extravagant use of red on the wall that helps frame the poster. But then I also noticed the reflection of the window across the poster, which makes for a nice bit of playful composition. So, yes, here’s my window for this Wednesday, mirrored across the intriguing puppet.
The poster is located on one of the walls of the Amsterdam Marionette Theater on the Nieuwe Ridderstraat side. The reflected windows are part of a school across the little square.
This is my contribution to this week’s Monday Window; I wholeheartedly encourage you to check out the other posts linked to this cool theme!
Last week, we looked up to the sky for our source of wonderment in the clouds. This week, it’s time to get our heads out of the clouds and plant our feet firmly in the sand on the beach, as that’s where we’re heading: the Beach.
You might think that beaches are nothing more than simple deposits of sand, where enough erosion has taken place to grind rocks into grains of sand. However, I’m sure that many of you have visited beaches that have varied greatly, ranging from beaches with various colors of sand ranging from bright white to beautiful black and even pink, or beaches with pebbles.
One of the aspects that I enjoy at beaches is that the interaction between land and water creates very interesting patterns, be it in sand or pebbles.
Beachscape
History
The development of the beach as a popular leisure resort from the mid-19th century was the first manifestation of what is now the global tourist industry. The first seaside resorts were opened in the 18th century for the aristocracy, who began to frequent the seaside as well as the then fashionable spa towns, for recreation and health.
One of the earliest such seaside resorts, was Scarborough in Yorkshire during the 1720s; it had been a fashionable spa town since a stream of acidic water was discovered running from one of the cliffs to the south of the town in the 17th century. The first rolling bathing machines were introduced by 1735.
The opening of the resort in Brighton and its reception of royal patronage from King George IV, extended the seaside as a resort for health and pleasure to the much larger London market, and the beach became a centre for upper-class pleasure and frivolity. This trend was praised and artistically elevated by the new romantic ideal of the picturesque landscape; Jane Austen’s unfinished novel Sanditon is an example of that. Later, Queen Victoria’s long-standing patronage of the Isle of Wight and Ramsgate in Kent ensured that a seaside residence was considered as a highly fashionable possession for those wealthy enough to afford more than one home.
Seaside resorts for the working class
The extension of this form of leisure to the middle and working class began with the development of the railways in the 1840s, which offered cheap and affordable fares to fast growing resort towns. In particular, the completion of a branch line to the small seaside town Blackpool from Poulton led to a sustained economic and demographic boom. A sudden influx of visitors, arriving by rail, provided the motivation for entrepreneurs to build accommodation and create new attractions, leading to more visitors and a rapid cycle of growth throughout the 1850s and 1860s.
The growth was intensified by the practice among the Lancashire cotton mill owners of closing the factories for a week every year to service and repair machinery. These became known as wakes weeks. Each town’s mills would close for a different week, allowing Blackpool to manage a steady and reliable stream of visitors over a prolonged period in the summer. A prominent feature of the resort was the promenade and the pleasure piers, where an eclectic variety of performances vied for the people’s attention. In 1863, the North Pier in Blackpool was completed, rapidly becoming a centre of attraction for elite visitors. Central Pier was completed in 1868, with a theatre and a large open-air dance floor.
Many of the popular beach resorts were equipped with bathing machines, because even the all-covering beachwear of the period was considered immodest. By the end of the century the English coastline had over 100 large resort towns, some with populations exceeding 50,000.
Beach Formation
Beaches are the result of wave action by which waves or currents move sand or other loose sediments of which the beach is made as these particles are held in suspension. Alternatively, sand may be moved by saltation (a bouncing movement of large particles).
Beach materials come from erosion of rocks offshore, as well as from headland erosion and slumping producing deposits of scree. Some of the whitest sand in the world, along Florida’s Emerald Coast, comes from the erosion of quartz in the Appalachian Mountains.
A coral reef offshore is a significant source of sand particles. Some species of fish that feed on algae attached to coral outcrops and rocks can create substantial quantities of sand particles over their lifetime as they nibble during feeding, digesting the organic matter, and discarding the rock and coral particles which pass through their digestive tracts.
The composition of the beach depends upon the nature and quantity of sediments upstream of the beach, and the speed of flow and turbidity of water and wind.
Sediments are moved by moving water and wind according to their particle size and state of compaction. Particles tend to settle and compact in still water. Once compacted, they are more resistant to erosion. Established vegetation (especially species with complex network root systems) will resist erosion by slowing the fluid flow at the surface layer.
When affected by moving water or wind, particles that are eroded and held in suspension will increase the erosive power of the fluid that holds them by increasing the average density, viscosity and volume of the moving fluid.
The nature of sediments found on a beach tends to indicate the energy of the waves and wind in the locality. Coastlines facing very energetic wind and wave systems will tend to hold only large rocks as smaller particles will be held in suspension in the turbid water column and carried to calmer areas by longshore currents and tides. Coastlines that are protected from waves and winds will tend to allow finer sediments such as clays and mud to precipitate creating mud flats and mangrove forests.
The shape of a beach depends on whether the waves are constructive or destructive, and whether the material is sand or shingle.
Waves are constructive if the period between their wave crests is long enough for the breaking water to recede and the sediment to settle before the succeeding wave arrives and breaks. Fine sediment transported from lower down the beach profile will compact if the receding water percolates or soaks into the beach. Compacted sediment is more resistant to movement by turbulent water from succeeding waves.
Conversely, waves are destructive if the period between the wave crests is short. Sediment that remains in suspension when the following wave crest arrives will not be able to settle and compact and will be more susceptible to erosion by longshore currents and receding tides.
Constructive waves move material up the beach while destructive waves move the material down the beach. During seasons when destructive waves are prevalent, the shallows will carry an increased load of sediment and organic matter in suspension.
On sandy beaches, the turbulent backwash of destructive waves removes material forming a gently sloping beach. On pebble and shingle beaches the swash is dissipated more quickly because the large particle size allows greater percolation, thereby reducing the power of the backwash, and the beach remains steep.
Compacted fine sediments will form a smooth beach surface that resists wind and water erosion. During hot calm seasons, a crust may form on the surface of ocean beaches as the heat of the sun evaporates the water leaving the salt which crystallises around the sand particles. This crust forms an additional protective layer that resists wind erosion unless disturbed by animals, or dissolved by the advancing tide.
Cusps and horns form where incoming waves divide, depositing sand as horns and scouring out sand to form cusps. This forms the uneven face on some sand shorelines.
Technical Details
This image was captured with a Canon EOS 1D MkII with an EF 24-105mm f/4L lens attached. Exposure settings were at 1/50 second at f/20 with 400 ISO.
In today’s moment of Wonderment, I would like to focus on something that is nothing. This may sound contradictory, but as I find deep enjoyment and awareness in Stillness, there may be some sense to this statement.
What is Stillness? In its simplest form, it is doing nothing. Of course, doing nothing is not as easy as it sounds, as our minds tend to be rather busy, used to racing from moment to moment, anticipating this and remembering that. To achieve Stillness, we have to actively help our mind to achieve the quietude that we seek.
In quieting the mind we remove all the distractions of doubt and worry. In meditation, we practice unhooking from them, detaching for a short period. This proves useful in daily life, too. Quieting the mind works in concert with concentration. Because it is very difficult to stop thoughts by force, we use concentration to guide them instead, accepting each thought and allowing it to flow through us and out of us.
Peaceful Morning
Paramahansa Yogananda said, “When the activating power of the mind is stilled by concentration, restlessness ceases and we become absorbed in the transcendental Bliss of the soul.”
Through practice we can find moments of Stillness and bring them into our lives more and more frequently. I find that each such moment recharges me and helps focus my energies toward the tasks that are ahead.
I hope you find some moments of Stillness in your day!