Sunday Serenity

We enjoy the serene experience of photographing a sunrise at Valley of Fire State Park, capturing Elephant Arch.

Some of the most serene moments that I have experienced have been those where there is nothing to do but wait for that moment, while just being present in my surroundings. When photographing a sunrise, those elements really come into play, as those are times when there (mostly) are not crowds of people while waiting for just the perfect amount of light to come across the horizon. The world seems to hold its breath, and everything around you is hushed in anticipation.

Today’s image is from one of those opportunities during my first trip to Valley of Fire State Park in Nevada. We went in early (not too bad to do in November) to catch the sunrise at some of the amazing locations in this park. The Valley of Fire is known for its stunning red sandstone formations, which appear to glow in the early morning light. It creates a magical backdrop that enhances any photograph.

First stop was Elephant Arch, which is near the entrance to the park and sets up beautifully for a silhouetted photo. Standing beneath the arch, I was captivated by the view, an iconic formation that seems to frame the rising sun perfectly. The contrast between the dark shape of the arch and the brightening sky created a striking image that encapsulated the essence of that tranquil moment. The key to capturing such scenes is patience, allowing the light and landscape to come together in a way that feels both effortless yet profound.

Elephant Arch Sunrise

As you can see from this image, all the work is done in the pre-dawn, as it’s about composing in such a way that an interesting sunrise will come into being. The early hours of the day hold a unique magic, one that is often unnoticed when the hustle of daily life takes over. During this tranquil time, the world is bathed in soft hues of blue and purple, gradually transitioning towards the warm glow of the sunrise.

You can see that I set up for the sun rising in the space under the elephant’s head, so that the trunk is framed as well. This careful consideration in composition highlights not just the beauty of the elephant, a symbol of strength and wisdom, but also integrates the dynamic element of the sunrise. The way the light shifts and dances across the landscape adds depth and vibrancy to the scene, creating a harmonious balance between the subject and the background.

The wait for this particular image was about 15-20 minutes, during which time the most important thing to do was to be present and breathe in the wonderful environment that we were in. Immersing oneself in such majestic surroundings can be a spiritual experience. The stillness of the dawn allows for moments of reflection, as the world gradually awakens. Listening to the subtle sounds of nature—the rustling leaves, the distant calls of waking birds—helps to ground oneself, creating a deeper connection to the setting. This mindfulness is crucial, as it not only heightens awareness of the aesthetic beauty surrounding us but also prepares us to capture that perfect moment when nature bursts into color.

Monday’s Spectrum Exploration

We focus on visible light in photography, such as the life and colors found in sandstone. The intricate hues reflect a vibrant essence of nature, for us to appreciate.

This episode is taking a bit of a departure from the various explorations, as they mostly have been somewhat outside our usual view of the world around us. I’d like to visit an approach to bringing our standard range of visible light into a bit of a different light. After all, photography is about writing with light (or writing the light).

Let’s take a look at today’s image…

Life Flowing in Rock

This is an image from my 2023 trip to Valley of Fire state park in Nevada. As we traversed part of White Dome loop, I noticed both the lines and coloring going through this sandstone. In order to get all the depth I needed in this image, I took a focus-bracketed set of images, as the individual sand particles are just about visible.

I was struck by the combination of colors and subtle hues that were in the rock, providing me with both a sense of life force within the rock and that even this sandstone formation was malleable. Life and its colors are all around us, so it’s key that we open all our senses to what Nature offers us!

iPhone Friday

Sometimes all it takes is stopping by the side of the road to appreciate the stunning desert landscapes and warm light just before sunset.

This week’s edition takes me back to February of 2023, when I spent some quality time in Valley of Fire state park in Nevada. Arriving from the East coast at Las Vegas airport, I hopped in my rental car and drove toward Overton to check into my hotel. As it was still early in the day, it was exploration time!

Here’s one of the roadside vistas…

Desert Vista

As you can see, there is great landscape just about everywhere in this area, as I literally pull to the side of the road to take in this view. As it was January 31, sunset was on the early side, which made for wonderful, warm light across the desert floor.

Just another great moment to take in the view! Enjoy!

iPhone Friday

That must be a really good camera! A striking image of Joshua trees at Gold Butte National Monument

You must have a really good camera! I’m confident that each of you have heard that from someone, when they looked at a particularly successful image of yours. It’s a comment that always makes me snicker (at least internally). I have heard this in all forms. As we all know, the best camera is the one you have with you!

In this case, I took this shot with the lesser of my 2 cameras…

Joshua Tree Sun

During my Valley of Fire State Park trip from two years ago, we took a side trip to Gold Butte National Monument. This area is best known for its stunning rock formations. There also were some amazing looking Joshua trees to be found.

The trees in this shot struck a wonderful pose for me, and the Sun cooperated as well. It was much quicker to take this shot with my iPhone, so I went for convenience.

And, no, I didn’t crop this shot, as I like it just the way it is. To my eye, it has a nice balance and lines and shapes that work. It’s just a really good camera…

iPhone Friday

A quick smartphone shot in Valley of Fire state park.

Taking a shot with our smart phones is a great tool to get a sense of what an image might look like from different heights and points of view; it’s a lot quicker than changing our tripods around and trying that 5-10 times. Also, the GPS data on our phones provides a marker that allows us to find exactly where we took that shot…

Valley of Fire’23

This was a quick up-res from an iPhone shot and some relighting playing with Topaz Photo AI, which I clearly still need to learn more about, as it increased the saturation by significantly more than I expected. Still it gives a good sense of the landscape in Valley of Fire state park in Nevada.

iPhone Friday

A mosquito that I don’t mind at all!

Happy Friday to everyone! For this week’s installment, I opted for one of the images from my recent trip to Valley of Fire state park in Nevada…

Mosquito Arch

Even though I was predominantly shooting with my main camera on a tripod, I like using my iPhone to get a sense of the composition that I want, particularly to determine the height from which I want to capture the scene; it’s a lot easier to go low with your iPhone than adjust a tripod 5 times.

As the sun was getting very low behind us, the light became really saturated, so I actually reduced the overall saturation quite a bit in this shot.

Developing an Image – part 2

The focus stacking process

Welcome to the 2nd installment and follow up to the Develop an Image – part-2 post from a couple of weeks ago. As a reminder, we were working on the intriguing image of rock formation in Gold Butte National Monument and had completed processing in Adobe Camera Raw (ACR):

ACR work is done

One quick note is that ACR can be invoked as a filter in Photoshop, which is an option that is fun to explore as there are some great presets in the Camera Raw Filter.

Next we take the 5 images and open them in Photoshop by clicking on the Open button. This opens the 5 files individually, so we’ll have to bring them into a single Photoshop file. I do this by going to using the first file that is open as the Background layer; then I go to the remaining files and select the image with a Command-A, copying it to the clipboard with a Command-C going to the background file tab and with a simple Command-V bringing the image in as a layer. That provides the following layers:

Focus Stack layers

Select all 5 layers and in Photoshop’s Edit menu select Auto-Align Layers… and use the Auto option; this ensures that any slight shifts between the shots are fully aligned. Then select Auto-Blend Layers… from the Edit menu, and the following dialog pops up:

Auto-Blend Layer options

The choice here is to Stack Images; I use the smarts of Photoshop to let it ensure that Tones and Colors are blended seamlessly and I trust its Content Aware Fill algorithms (they are good!). After some compute cycles, your layer panel will look as follows:

Auto-Blend Results

The magic is in the masks that Photoshop generates for each of the layers, as it uses the focal distance of each shot and selects that which is the most precise focus to composite the resultant focus-stacked layer.

At this point, all we have left to do is make the final adjustments, which I will cover in the next installment. In part 3, I’ll introduce you to some of the other tools in my Photoshop arsenal to help unleash some of its power without having to master all the complexities.

iPhone Friday

Rock of many colors

In between work on the larger blog post, here’s a quick shot from the recent Valley of Fire trip…

Slot Canyon

This was one of my iPhone shots looking back into the slot canyon that is part of the White Domes loop trail; I use my iPhone to get a quick view of what a shot will look like at different heights, so I only set my tripod up once.

One of the things that struck me about this canyon is how some of the rock is just about grayish white and almost integrates with the red rock next to it. It gave me the sense of a selective color image, which I don’t expect in Nature.

Developing an Image – part 1

The Steps in the Process

In this post, I’d like to give you a view of some of the approach that I take in developing the final image from the shots that I capture on scene.

This particular shot was taken at Gold Butte National Monument in Nevada, as we were exploring some of the Joshua Trees, rock arches and beautifully colored landscape. I came upon a deposit formation in the rocks that caught my eye…

Alpine Crossing

Sometimes our minds make an immediate connection with something that we see, which occurred for me in this case; at the angle that I viewed this through the lens there appeared the eye of an elephant imbued with high intelligence. This regal creature was bejeweled running down its trunk, and I could see tusks protruding to the lower right. In my mind’s eye, I saw it trudging through a challenging mountainous landscape in severe weather conditions, which led me to the working title of ‘Alpine Crossing.’

As I wanted to get as much detail into this image as possible, I opted for using the Focus Bracketing on my Canon EOS R5. If you’re not familiar with this technique, it is a method of taking the focal point in a series of shots from the near to the far; this allows for compositing of the images into a single, high depth of field image. For my options, I chose to shoot a set of 5 images and a somewhat below mid-range focus increment; reason being that I was shooting with a 21 mm focus length at f/8, so there was already significant depth of field. This series of images was the following…

The eagle-eyed among you might be able to spot the transition in focal plane, which is hard to see until examined on a big monitor.

The next step is to do some basic editing on these images, for which I use Adobe Camera Raw (ACR), which I find easiest to access through Adobe Bridge. In ACR, there are 2 main features that I tend to lean on, as they make life easier: Profiles and Calibration. Let’s start with Profiles…

Profile Selections

If you’re not a frequent user of ACR, you may not be aware of the wonderful selection of preset profiles that are provided here. They are a great shortcut to closing in on a look that you have in mind for the final image. In this case, I used the Artistic 04 profile and set the opacity at 81% to tone it down a little bit. Note that I’ve selected all 5 images for this edit; if you find yourself editing only one of the images, don’t worry, as you can sync your edits across all of them. If you wonder how to access Profiles, the arrow in this image shows the way…

Calibration and Pointer to Profiles Icon

Calibration is another quick way to take a look at the colors in your image and allow them to pop. Note that if you have a large amount of one color, such as a blue sky, you may want to de-emphasize that color. In a lot of cases, I find that working just the Blue and Green primaries does the trick; as you can see, I added some Red as well.

Next step will be to take the process into Photoshop, which I’ll cover in tomorrow’s post.